Concept
Collection
Antichron
Antichron by Bathsheba Grossman is a piece of art that delves into the intriguing world of mathematical sculpture, embodying concepts of geometry and time in a physical form, merging mathematical precision with artistic expression. Antichron's elegant symmetry – it has the group consisting of the three half rotations around each axis – make it a favorite with mathematicians and laity alike. The term "Antichron" suggests a theme related to time, potentially playing with the concept in an unconventional way. "Anti-" usually means against or opposite, and "chron" refers to time (from the Greek "chronos"). So, "Antichron" might evoke ideas or forms that challenge our usual perceptions of time or represent time in a non-linear or abstract manner. Antichron could incorporate geometric shapes or structures that symbolize the complexity and fluidity of time. This might include using patterns or designs that repeat in unexpected ways or creating forms that seem to change as you view them from different angles, reflecting the mutable nature of time. Antichron might visually or conceptually represent dimensions beyond our ordinary experience, perhaps hinting at the idea that time is a dimension that can be twisted, turned, or viewed from multiple perspectives. Antichron was designed by Bathsheba Grossman, and produced by us in agreement with her.
Made to order, facilitating custom requests, please allow at least 2 weeks for production. Produced in France.
Bathsheba Grossman's work often explores the intersection of technology (like 3D printing) and mathematical beauty, creating sculptures that embody complex geometrical principles and shapes, such as polyhedra, fractals, and other structures found in nature and mathematics. Merging the aesthetic, the mathematical, and possibly the mystical into a single, compelling piece. Grossman's work encourages viewers to appreciate the deep connections between art and mathematics, with objects that invite viewers to appreciate the beauty of mathematics in a new light, revealing the underlying patterns and structures that govern both the natural world and human creativity.
250 GTO Floating
Our bronze sculpture is inspired by the iconic Ferrari 250 GTO, one of the purest embodiments of Ferrari's brand, a collector's favourite owned by illustrious owners such as radio DJ Chris Evans, businessmen Gregor Fisken, David MacNeil, Pink Floyd drummer Nick Mason and fashion designer Ralph Lauren. And for good reason being rare with only 36 ever made, being the last front-engined competitive GT which dominated circuits from 1962 to 1964, winning the 63 and 64 Tour De France, class winner for the 62, 63, 64 Targa Florio and Lemans 63 and 64 among its 500 competitive appearances, racing hard against Aston Martin DB4 Zagato, Jaguar E Types, and AC cobras. That's why the Ferrari 250 GTO is the most expensive car at auction reaching over $70m in June 2018.
Made to order, facilitating custom requests, please allow at least 2 weeks for production. Produced in France.
Metatron
Metatron by Bathsheba Grossman is inspired by mathematical and possibly mystical themes, Metatron, reflects the intricate order and beauty found in abstract mathematical concepts. Based on a cuboctahedron which has octahedral symmetry enabling several axes of rotation. Abstract enough for you? We had to Google this… The Metatron is one of our most spectacular demonstrations of the extraordinary capabilities of 3D printing, allowing for the production of shapes and forms that would be difficult or impossible to create using traditional methods. In various mystical traditions, Metatron is the name of an angel associated with the highest levels of guidance and record-keeping, often depicted or imagined in geometric terms. Metatron was designed by Bathsheba Grossman, and produced by us in agreement with her.
Made to order, facilitating custom requests, please allow at least 2 weeks for production. Produced in France.
Bathsheba Grossman's work often explores the intersection of technology (like 3D printing) and mathematical beauty, creating sculptures that embody complex geometrical principles and shapes, such as polyhedra, fractals, and other structures found in nature and mathematics.Merging the aesthetic, the mathematical, and possibly the mystical into a single, compelling piece.Grossman's work encourages viewersto appreciate the deep connections between art and mathematics, with objects that invite viewers to appreciate the beauty of mathematics in a new light, revealing the underlying patterns and structures that govern both the natural world and human creativity.